The University of Texas at Austin

Law in Popular Culture collection

Legal Studies Forum
Volume 9, Number 2 (1985)
reprinted by permission Legal Studies Forum

On the Emergence of Narrative Jurisprudence: The
Humanistic
Perspective Finds a New Path

JAMES R. ELKINS
College of Law, West Virginia University

     I am working in a library at Murray State University in Murray,
Kentucky, a small, out-of-the way place in Western Kentucky very
near where I grew up. I walk through the periodical section Z to P, 0
to F, working backwards, gathering an armload of journals. It would
take days to read everything I have pulled from the shelves, a task
which will, in light of other interests, go undone. Before leaving
these journals to the next reader I pursue them for a well-crafted
essay, for new ideas. As I read, I see in the mirror of words and ideas
fresh possibilities for my own work. I see scholarly work in a variety
of self proclaimed disciplines, that intrigues and provokes--work that
I admire but will never do.
     I am intrigued by the number of articles on Marxism, Feminism,
the professions, the present condition of the social sciences and the
humanities, morality and ethics, and the burgeoning literature on
narrative.1 I read the articles on narrative, make some notes,
searching for ways to revision professionalism, and describe this new
field I call Narrative Jurisprudence.
     I am happy to read another well-written article whatever the

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field of scholarship. The difficulty of finding a beautifully crafted
essay, or a comprehensive and thoughtful overview of some scholarly
field, much less writing such a work ourselves, is no small pleasure. It
is difficult to write even a modest article, that will be worthwhile or
offer an explanation that brings order to confusion. Some may find
teaching as an easy life, a life where small pleasures suffice. I do not
mean to suggest by my references to pleasure that I share that view.
I use pleasure in the sense that Socrates must have taken pleasure in
the life of the agora in Athens, a life and way of teaching that lead to
his death.
     If the scholar is to be adventurous, perhaps heroic, and her
scholarship creative and invigorating, then we will need new
metaphors and images for what we do, how we think and speak and
write. We will need a new sense of ourselves as teachers and writers,
as thinkers and speakers. To teach and live a life content with small
pleasures, we ask too little of ourselves.
     In the autobiographies of early "social scientists" there is a sense
of purpose and meaning in being a part of the discipline, in standing
for the kind of knowing represented by the discipline and the values
that a life in the discipline signifies to others. Some believe that
what was true then is likewise true today. The ranks of Ph.D.'s in the
social sciences swell; the lines waiting for the few available teaching
positions in our colleges grow longer. But are things unchanged? The
traditional liberal arts and social sciences disciplines have failed in
their promise. We are a new generation of disaffected scholars.2
     Even the disaffected are contaminated by outbursts of optimism.
We watch the renewed concern and commitment to liberal arts
teaching, the evolution of the values and moral education movement,
the resurgence of interest in ethics, and the steady proliferation of
humanistic and progressive influences in professional education. We
hear talk of the revival of the liberal arts, humanistic and

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interdisciplinary studies programs. But in our disaffection we find
little revival of the sense of purpose and meaning once found in the
disciplines and among professionals. Our disciplines have failed us.
     While writing about disciplines I had the following dream.

     I am at home working on my house which is a large
     rambling Victorian located on a hill. A large part of the
     house is built out over a steep hillside. My father and I are
     working in the attic doing repairs. I notice that the central
     part of the house seems to be pulling away from the large
     enclosed porch section (which contains sleeping rooms) that
     extends from the main part of the house out over the hill.
     The porch is an elongated wide tunnel like structure,
     enclosed in something like plexiglass.

     As we work in the attic I notice that the porch section has
     pulled away from the main structure. During the course of
     our work I see that the problem is getting worse and say
     something to my father about the problem. But before I
     can speak to him, I realize that the porch is going to fall
     off. The lattice-like framework that supports the porch
     begins to give way and the porch begins to crumple. I move
     away from the house and turn back to watch in amazement
     as the rest of the house caves in.

     Neighbors'appear to watch the house fall. It seems to be
     happening in slow motion. I hear one couple talking about
     how it would not have happened if I had shored up the
     foundation after the spring rains. I hear someone say,
     "Everyone around here shores up the house in the late
     spring. It has been very rainy this year."

     The entire house is now collapsing. It is not clear whether
     any of it will remain standing. My father drives up in a
     truck. He tells me he is driving around to the end of the
     house where the porch was attached to see what he can do.
     I tell him it is too late and that he can't stop the
     destruction now. He grins at me and says: "Well, I can go
     on over and take a look and pick up my tools. Maybe I'll be
     able to do something while I am there."

Disciplines are nothing more than porches attached to some larger
structure. The porches are threatened, disciplines are crumbling. At
times it appears that the entire house may be collapsing.
     For some social scientists and humanists the failure is
devastating. They pursue traditional research, searching for ever
more elusive scientific techniques, blind to the values supported by
their work and those of colleages within the discipline with whom

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they ally themselves. John William Miller, a philosopher, has written
that
the organized modes of knowledge exert a compulsion that
disregards subjective interest. They represent no accident,
no caprice or private preference, but rather the various loci
of a reality that breaks in upon all men. Even if one is no
economist one feels that somebody has to be.3
It is not necessary to agree with Miller's view that fields of
knowledge represent a reality beyond the subjective interest,
preferences, caprices and accidents of the individuals who practice
the discipline to share his feeling that our disciplines do seem to have
a life of their own. One form that this "reality that breaks in upon all
men" takes is the devotion of men and women who commit their lives
to the pursuit of knowledge within the limited, bound world of a
discipline. For those who devote their academic and professional
lives to the core tenents of the discipline, to the demands of the
ideology of professionalism, the failure of the social sciences is
devasting, paradoxically, not because they sense the fundamental
incoherence and irrationality of the underlying ideology, but rather
because they are blind to it.
     In the effort to "make it" in the discipline, to be a part of a
professional group, the scholar denies what those on the periphery see
and understand so clearly--that scientific methodology can never
replace human sensitivity and caring. The failure of the social
sciences is now compounded by the self-deception of those at the core
of the discipline and the persistent battle that they wage against
those at the periphery and those who have gone underground.
     To live by or within a discipline and to make its demands our own
is a form of acceptance, submission, resignation. More signficantly it
requires massive denial. It denies the social ends served in traditional
applications of the disciplines. It denies the fundamental integrity,
dignity, and spirit of those it makes the subject of study. It denies
the essential livelihood and personhood of the practitioner of the
discipline.
     We have been educated, perhaps trained is a better word, in the
belief that disciplines can be practiced and professions embraced
without reflecting on how they promote a limited set of values.
Our disciplines give us much to do, a way to talk, a way to earn a
living, membership in a group of like-minded folks to talk with during
the day, a pleasant way to get through life. Can they be and more
than that?
     In the past two decades there has been a substantial body
of literature and scholarship generated in virtually every field of

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knowledge, in every major discipline, and in the professions, which
calls the preoccupations and methodologies, and more significanty,
the fundamental values of the disciplines and professions into
question. There are several trends in this on-going critique of the
social sciences and the professions that deserve attention.
     Science has become not only a methodology but a mode of
understanding not only the material and physical world, but a world
view which presents itself as the sole means for understanding and
defining the very nature of reality. When science claims for itself a
position as dominant reality and creates a context in which all other
realities must be tested and judged it becomes an ideology--it makes
itself into scientism. It seeks to become master of all forms of
knowledge and modes of understanding.
     There are frequent efforts, within and without the scientific
community, to show how science oversold itself and promised too
much.4 Daniel Bell in introducing a series of essays in the Partisan
Review notes that "there are those who argue that the natural
sciences themselves have lost their 'privileged' status as being the
mode of inquiry for 'objective' truth and are becoming more like all
the other modes of human inquiry. . . ."5
      As science claims more in the way of understanding and meaning
than it can deliver we begin to experience science as scientism.
There is something fundamentally dissatisfying in the analytical
positivist bent of mainstream academic discourse. We fight over
methodology and flaws in empirical design losing sight of the need for
insight and understanding; we design rigorous studies and learn to our
dismay that they help us describe so small a part of the world that
they are essentially worthless; we devise rich descriptive theories and
find that they tell us too little about the reality of everyday life.
     Science transforms not only our understanding of the natural
world, but our place in the world, our sentiments and values, the kind
of story we find to possible to tell and live. By substituting science
for religion, technology for theology, knowledge for understanding

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the rational for the mystical, we lose the awareness and insight which
comes from mystery, awe, and wonder which are fundamental to the
rhythm of everyday life.
     The making of the disciplines into "sciences," the need for formal
education, the long (and sometimes arduous years of training) turn
disciplines into monastery-like fortresses ruled by monks. We are told
how and when we can enter, under what circumstances, and when the
initiate will be certified as a master. We are told that if we do not
learn the language, methodology, and special body of substantive
knowledge then we cannot enter the kingdom.
     Traditional conceptions of our disciplines as social sciences make
possible one kind of knowing while they distance us from our own
experiences, and from the everyday world, where our lives are lived.
Wendell Berry, a Kentucky farmer, poet, essayist, and novelist has
written often of our "general cultural disorder." Berry argues that the
condition derives
from the specialization and abstraction of intellect,
separating it from responsibility and humility, magnanimity
and devotion, and thus giving it an importance that, in the
order of things and in its nature, it does not and cannot
have. The specialized intellectual assumes, in other words,
that intelligence is all in the mind."6

* * * * * 

 


[S]pecialization has tended to draw the specialist toward the
discipline that will lead to the discovery of new facts or
processes within a narrowly defined area, and it has tended
to lead him away from or distract him from those disciplines
by which he might consider the effects of his discovery upon
human society or upon the world.7
     To treat a discipline as if it were a science suggests that there is
something to be learned, a way of understanding, seeing, and
speaking, that is necessary to comprehend the world, a way of
comprehending and understanding that can be obtained only through
formal training.
     One might imagine each discipline and profession as being a
circle, containing a hard, dense, mass core. The core is the scientific,
objective, analytical, methodological aspects of the discipline which
promote the discipline as a "social science." At the center of each
discipline is a phantasy of science--objectivity, measurability,

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neutrality, detachment, verification.8 In each of the "social sciences"
there is a tradition which holds to and represents these scientific
virtues, a tradition which thrives as the mainstream of every
academic discipline and profession.
     Just beyond this core, of masters and their followers (a group at
one time interested in grand theory, and today more concerned about
methodological rigor) there is a supporting cast of teachers and
scholars who accept the core as reality. They can imagine no
alternatives to tradition. The two groups together maintain the
entrenchment of tradition against criticism. The "social sciences"
have reached a plateau and are holding their own, but more by means
of entrenched protections given to an existing classificatory scheme
than to recurring and renewing of knowledge, understanding,
awareness, and insight. Entrenchment protects the established core
of a discipline in diverse (sometimes perverse) and complex ways.
     The image of a discipline as a circle with a dense mass for a core
looks far too much like the drawings of atoms in high school science
books! We know that atoms do not exist in isolation but combine and
recombine into increasingly more complex forms. Therein lies a
warning for the image of the discipline as circle, with a nucleus of
scientific methodology. We know now that even atoms can't be
represented in this fashion!
     Human understanding cannot be confined within a discipline,
boxed in, penned up, secure against outside influence. Disciplines
such as sociology and psychology are appropriated (taken, borrowed,

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bought, or thieved) by those in other disciplines.9 New modes of
understanding and awareness exist next door, no discipline is
autonomous. And perhaps more significantly, every discipline
contains within its traditional practices and theories the possibility
for transformation.
     One might think of a discipline as a piece of property on which a
grand building has been constructed. The construction has taken
place on a piece of land whose ownership is contested, the surface has
been undermined and the sub-strata long since honey-combed with
abandoned mines. The rights to the air space above has been given
away or auctioned off to the highest bidder.
     Imagine then, psychology, as that grand structure, and the
location is Houston, Texas, a city built in a naturally inhospitable
place. The city of Houston--a city without zoning laws--provides an
apt image for a map locating our contemporary disciplines. Churches,
massage parlors, parking lots, high rise office buildings, residential
apartments, and service stations share a neighborhood. Psychology
and sociology, history and philosophy, are each in their own way like a
church in an un-zoned city. Anything is possible. There is simply no
way of knowing who will be living next door tomorrow.
     Perhaps the city is too lowly a metaphor. Imagine our disciplines
as countries. Some countries are more inviting than others. There
are countries that thrive on tourists, others on corruption. Some
invite the wandering traveler, others close their borders.
     It may not be possible, without knowing the language, and
without being a speaker of it, that I would ever feel at home in a
foreign country. And at the same time I can envision traveling to a
country like Greece, unwilling to be a mere tourist. There is an
alternative. I can be a traveler who learns, humble enough to realize
that others offer me as much as I offer them. I can admire Greek
scholars and their command of the language without handing over
Greek mythology to academic experts and classical scholars. It

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would be wonderful to know Greek, to read the Greek dramas and
myths in the language in which they were written, to work out one's
own translations, to speak Greek to the natives of that land.
     I simply cannot know Greece as intimately or as throughly as one
who knows the language, as might an anthropologist who lives and
makes a life (albeit temporary) among Greek peasants. The
anthropologist will need skills that I am unable to master. But there
is a different way of being in Greece, or Bali, or in the Navajo
Nation. To go to a place with humility, with the sense that I have
come to learn means that I am a traveler, one who has a place in
countries other than my own. Can we not be travelers in these
diverse, strange, alien countries, these disciplines other than our
own? To be told that I must have an academic degree in psychology
or sociology or anthropolgy means that the kind of knowing,
understanding, and awareness that comes from travel will be reserved
for the elite, the monks who man the monastery.

* * * * 

     Each discipline comes into being as a response, as a need to
understand, explore, and control human experience. A discipline
preserves a strain of thought, a way of thinking about knowlege, a
way of organizing knowledge. No discipline begins with a clean slate.
A discipline reflects the trauma of its origin and the historical
"shaping" of the discipline that has taken place within the university
and within society.
     A discipline is a reaction to what went on before, it is a
reflection of human life. A discipline, as any child, has a parent, and
comes into being within a family. But like our real families, they
both protect and nuture; and they deny, abuse, and abandon.
One example of the kind of family connection that I have in mind
is the "sister disciplines," psychology and sociology. Like most sisters
they have tended to go their own way and the attempts to dress them
alike, as in social psychology, has had only marginal success. But they
are sisters in spirit, if it not in reality. A psychology without
"sociological imagination" becomes ahistorical, apolitical, and amoral
as well. A sociology without psychology loses its grounding in the
felt-experience of human sensibilities and meaning. "The work of
sociology, then, is to confront the passionless world of science with
the epiphany of famil , of habit, and of human folly, outside of which
there is no remedy."10
     The image of disciplines as sisters conveys a sense of common
parents and this may be misleading. I do not mean to suggest that
sociology and psychology share a "founding father." It is not a

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founding father, the begetting father that they share, but the more
significant Father that stands as symbol for all attempts at human
knowledge--Father as all-knower and authority. Science and
positivism are ideologies of Father, of patriarchy. The "social
sciences" (and the humanties that flirt with scientific methodologies)
carry on in the name of the Father.

* * * * *

     A discipline is a response, a turning away from the past. The
question is: What are we turning away from? To answer that question
requires what John Bonsignore tells me is "another autopsy of the
dead body." John's point is that we spend an inordinate amount of
time and energy, saying again and again, what it is that we find wrong
with the world, with society, with our disciplines and professions.11
Yet, another autopsy of the body may reveal something that we need
to know, or provide us with insight into what we have been and what
we have become. For those who have the patience and the desire,
socio-historical accounts of our disciplines and our professions can be
revealing.12
     Each movement, trend, perspective, and orientation within a
discipline is a response, a move against (even as it is a move toward, a
move forward). "Schools of thought" coalesce around certain themes
and values, around ways of writing and talking (forms of scholarship
and it's communication). Movements and trends are generated, and
have their origins in, concern, fear, hope, ideals and dreams. An
intellectual movement "takes off" when fear is idealized and hope
articulated. Consequently, a history of sociology, of anthropology, of
psychology is as much about fear and hope, beliefs and ideals, as it is
how the discipline evolved and found its place in the world. How do
those who come to call themselves sociologists or psychologists think
about their work and their lives within the discipline? What "anxiety
of influence"13 haunts sociologists? What does "anxiety" and the
"influences" upon sociologists mean to sociology?

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     If a discipline is turning away from something, then it (and we)
must be turning toward something.14 What are we looking for? What
is it that we are trying to find? Purposes once clear are obscured.
Dreams and ideals are relinquished as unrealistic.15
     The farmer does some turning, perhaps not quite so neurotic as
our own. He turns the soil as a means of cultivation. It is true that
farmers now plant crops without tilling, or turning the soil.
Interesting--what we might learn from farmers. I can envision
"no-till cropping" in psychology; a study of "erosion" of community in
sociology and political science; the "planting and harvesting" of the
intellect and human sentiment in the humanities; and interdisciplinary
efforts to "cultivate" a rich harvest of knowledge.
     The farmer can also tell us something about failure. In our
disciplines we try to forget about failure. Yet, when we venture out,
it is often necessary to turn back. All voyages cannot be completed.
Equipment failures and unfavorable weather can require turning
back. We turn back to our place of departure, forego our destination

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until another day. It is no crime, sin or measure of psychological
inadequacy to turn back and slow down.16
     Science, technology, capitalism and market economies, the
family, even the idea of progress itself is now in doubt, and beliefs in
the social institutions which support them are disintegrating. This
nihilistic perspective can be found in virtually any issue of any but the
most conservative scholarly journal. It is a time in which there is
little appeal in constructing grand social theories and
all-encompassing political philosophies. Nihilism makes belief in
grand theory and philosophy problematic. Theory has lost its primacy
in the world of knowledge and we turn for understanding to individual
human lives. Out of this theoretical nihilism and mistrust of science
as a world view comes more conserving forms of knowledge and
politics; an effort to salvage liberalism; a renewed concern for the
moral dimensions of education and professional life; a rediscovery and
reemergence of the sacred;17 and finally a "turn to interpretation"
and story. The "interpretative bent" in the social sciences and the
return to narrative is related to the never ending human need for
story.
     In each of these contemporary movements one finds a concern
for values, modes of being, ways of life. These "subjective" values, in
contrast to the claims of "objectivity" in science, have historically
and continue today, to be systematically discounted and devalued.
Under such cultural conditions they form an underground, antinomian
stream.
     The values carried in this stream do receive recognition from
some quarters. When "subjective values" emerge f rom this
underground stream and intrude into the disciplines they become
"schools" or perspectives within the discipline, and often the critical
conscience of the discipline, without for the most part actually
threatening the core set of values within the discipline that resulted
in the original devaluation of subjectivity in favor of objectivity.18

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     The values identified with the humanistic perspective found in
the antinomian stream that runs beneath and below the traditional
mainstream of any discipline has now emerged as a "turn to
interpretation," and a focus on narrative and story. The "turn to
interpretation" and to narrative indicates a loss of faith in science.
Narrative makes mystery possible, mystery which scientism would
have us forget or ignore. Narrative helps us see the mystery in
ordinary, everyday life. It is the purpose of narrative, of stories, to
express the "excess of meaning" we experience in our lives. Narrative
effects a transformation of events and sentiments into the present,
into story, by which we give ordinary life in a technological world
meaning, meaning that comes from that which science does not, and
cannot speak. Narrative suggests a whole world of experience:
teaching, writing, reading, listening, and telling stories.
       Narrative rests on the poetic and metaphoric use of language, a
use of language rooted in our participation in a social world. In narra-
tive we learn about the world, but we also learn about the person with
beliefs, values, dreams, and fears who is in the world. Writing and
story telling render self and world into language, language into the
heart of living. It is in the narrative dimension of our lives and those
whose stories we tell and bear, write and teach, that one finds what
James Hillman calls soulmaking. The soul speaks through narrative.
     Narrative reemerges within a discipline unable to escape its
past, as a way of recovering or reclaiming an earlier, older (one might
say "truer") perspective from "within" the discipline. This evolution
takes place as those within the discipline return to earlier questions
(meta-questions) and images of themselves "doing" the discipline.19

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     There are some disciplines and professional endeavors that are
hard to imagine without narrative. Psychotherapy, unless confined to
the black box of behaviorism is a contemporary narrative, a form of
story-telling, with interpretation as its methodology and art.
Psychology and anthropology, unable to shake their narrative
traditions, are in the process of rediscovering and valuing
interpretative strategies and story. Narrative is rediscovered in
history, ethics, and theology.
     In other disciplines, narrative lies more in memory than in
practice. Philosophy,20  history, law, and medicine, suffer from the
loss of narrative and provide examples of disciplines where narrative
has been driven underground. Without narrative in our disciplines
stories go untold, narrative becomes memory and history. Imagining,
remembering and revisioning are the raw material from which we
concoct the antidote to forgetting. Narrative and story represent the
recovery of the personal, the idiosyncratic, the subjective, and the
sacred.

II

     A man named Charlie lived a few miles down the road from the
Kentucky farm where I grew up. I saw him walking along the road, in
his tattered clothes, stopping from time to time to pick up string,
wood, or hubcaps he found along his path. I never tried to talk to
Charlie. He seemed preoccupied in what he was finding or in moving
down the road. On passing our house he had several miles to walk
before he got home. I never saw him look toward our house. I asked
my mother
     "Why does Charlie walk when 'normal' people drive in the
car?"
     "Charlie is a hermit. Hermits act different than other
people."
     "What is a hermit?"
     "A hermit is a man who lives by himself."
     "Why would he live alone? Doesn't he have a family?"
     "He has family. Some of them live down the gravel road
that begins not far from his house."
     "Well, why doesn't he live with them?"
     "A hermit may have a family but he doesn't want to live
with them.

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     "Why?"
     "We just have to assume that he had rather live by himself
than with somebody. Maybe, someone hurt his feelings once.
Maybe, he is hard to get along with and finds life easier when he
is by himself. Maybe, he is crazy . . . Or just maybe, there is
nothing wrong with him at all, and he just plain and simple wants
to be a hermit."
     Mother stopped peeling peaches and looked wistfully out the
window at the road, as though sometimes she'd like to be alone.
But I couldn't resist interrupting her reverie to ask another
question.
     "Well, who does he talk to?"
     She sighed.
     "He doesn't talk to anyone. The whole idea of being a
hermit is that you don't have to talk to anyone."

* * * * * * * 

     Stories speak of inclusion and exclusion, of leaving home and
returning, of acceptance and rejection. Stories often show how we
find a place in the world of others, or how we live a life trying to
escape from others. Whatever place I find, whatever role I accept or
reject, whatever stance I take, it is ultimately in relation to the
culture in which I find myself and the communities that I try to
create and those from which I wish to escape.21
     In narrative there is meaning. Story is life. Story is eros, libido.
Freud and Jung listen and see into, under, behind and around what the
patient says about his own life. Both Freud and Jung gave us
marvelous and telling stories of the world of the unconscious, stories
that, with all their faults and false directions, persist today, perhaps
more viable now than at any time since they were first told.22

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     Freud's method of listening uncovers life stories,23 case
histories, clinical vignettes. After Freud, biography itself takes on a
new perspective.24 How do Freud's stories and life histories compare
with modern ego psychology or developmental psychology? What kind
of telling of lives takes place in adult development theory? How do
people talk about symptoms, pain, suffering, and pathologies?25 How
do I apply a theory to my own suffering? What kind of stories help us
deal with our pathologies? Or for that matter what kind of
psychologies?

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     If there is to be a telling of lives, there must be listeners.
Patients need doctors.26 Doctors need patients.27 Anthropologists
have their informants, as do the police and school teachers. The
compelling story will find an author. Biographies and autobiographies
are written and read. The story is told. The story is written. The
story is read. So long as culture exists stories will be lived and told.
Historians become listeners, and psychobiographers,28 as well as
archivists. Oral history makes its appearance. And if historians are
to be listeners then they will appropriate the methods of those who
are paid to listen, those who make a profession of it--the
psychoanalyst. Psychohistory becomes a special disciplinary
field.29
     When we focus an stories, doing stories (writing, reading, telling)
what are we to make of Charlie, the hermit? What kind of story
remains untold? Does Charlie have no story? Is there no story
without a telling, without listeners, without a text?

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Stories reflect a fundamental human need which "begins in the
act of diving through the ordinary, routine surface of appearances. .
. ."30  Autobiography is "reflective effort made in the interest of
giving or restoring meaning, purpose, and value to one's life. . . . To
participate in the autobiographical mode, it is enough to reflect, to
speak, or to act with an intention which is broadly self-narrative or
self-revealing.31 The "act of diving through" takes place when we see
our own experience as storied.32

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     Story is one way that we deal with our experience and
understanding of the world and ourselves in the world. And we can
actively engage our own experience--in which case we become the
teller of stories, our own or the stories of others. We can also live a
life bound by the stories of others and deny that there is any story of
self to be told. And at other times our stories become a form of
self-deception.33
     We find out who we are as persons by the story we tell, by the
conversations we have with others, the way we imagine ourselves, and
the way we are able to understand and reflect on the way our lives
unfold. We don't see ourselves clearly as persons in the activities and
work that we do until we recognize the story that we live out in our
work and in our lives.
     Stories are experiential, they tie us to the world we live in, to
the concrete reality of our own lives. When we speak of what is real
we tell stories. "In stories we meet what is concrete in experience,
in the most concrete language we have."34 A story "satisfies our
sense of reality by registering the tensions of experience in a way
that is irreducibly specific and complete."35 To be drawn into a
story is to be personified, someone who can be addressed, who
remembers and responds, who is underway in action.36 It represents
"the complex movements and interactions of beings who are
themselves possessed of memory, imagination, the power to hear and
answer in language and to respond in action, while they are

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underway."37 A story is reflective of the "pulse" and "density" of the
movement in our lives.38 Stories make the lived experience of time
possible.39
     Stories help us explain both the ordinary reality of everyday
experience and that which is beyond our understanding. Stories
mediate between the meaning which we find, give, and take from our
everyday world and that which comes from and is realized from
beyond immediate experience.40
     Narrative and storytelling transfigure the ordinary, the everyday,
the prosaic, the mundane, the quotodian, into something that has
meaning. The broken bits of glass and shards of old abandoned
pottery that we call experience and memory are "made" into a new
form, (or some preexisting form is "discovered"). That which was
discarded and of no value finds it's way into the new picture, a mosiac
that frames and presents that which was dispersed. The whole is
greater than the sum of the parts, and thus storytelling is synergistic.
When life feels fleeting, and we break up, fall apart, give way, then
there is a need for story, for a new telling.
     Stories point to beginning and ending, hope and fear, darkness and
light. William James O'Brien, a theologian, has written of this
darkness that surrounds our lives. "It is," O'Brien says, "the darkness

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of our origins and the darkness of our destiny."41 To see ourselves in
darkness honors the depth of human experience (a depth that does not
hide from death, horror, and evil).42
     I cannot imagine a life without the eternal conflict which we
offer as human beings. A life of suffering, of the will to endure to
the end is itself a story. To give in, to give up, to fail, to submit to
suffering is yet another story. To resist and fight, to rebel, to go
into exile is yet another. To succeed, to have a career, to be a
professional, to be a part of contemporary society is yet another
story. Yet, we talk about careers, work, professionalism, professional
identity, as if those aspects of our life, our work, our love have
nothing to do with our stories.
     Stories take on a social or collective dimension. They show how
we are both distinctive and share something with others. James
Higgins notes that "without both distinctiveness and commonality the
story will ultimately be unsatisfying and one will continue to tell it
agonizingly until both dimensions are uncovered in some fulfilling
fashion." Stories define boundaries (which are the lifeblood of
academic learning) and pull us together (across personal and social
boundaries). Finally, stories mediate the inner subjective world and
the outer, objective world, the private and public aspects of our lives.
     How is a life to be imagined, re-membered, even as it is lived?
What are the appropriate metaphors for a life? What does it mean to
say that life is a journey, a pilgrimage? Mythic and heroic? In stories
we tell of myths being lived, themes from fairy tales forming and
shaping our lifes. There is myth in our stories, as we are in myth.43
Story telling is one form of myth making. Myths are the ancient
pre-histories of our stories. Fairy tales are the folk or ordinary
expression of myth, stories which have a mythic dimension. When we
are telling, talking, tattling, teaching, when we do stories, our own
and others, we come closer to myth, we become mythmakers.
     There is a myth of the heroic quest, a mythological motif found
in virtually all cultures, one that is found in our own lives. One
universal pattern is the leaving home, journey, trials, ordeals, tests,
and then finally, returning home. Life is itself a journey, a long
pilgrimage.

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     Autobiographical reflection helps us see the myth in our
contemporary lives, learn that we are enmeshed in myth. Myth is
another name for a special kind of meaning that links an individual to
that which lies beyond a solitary life, to an ultimate, to fates that lie
beyond human purpose and design. We live out myths in our personal
lives even as we participate in cultural myths that define how our
immediate world will appear to us. Autobiography becomes mythic
when the narrator finds him/herself becoming the hero.
     A story invites telling and listening, a place and time for
speaking and hearing. Stories bring us together, create social
relations, for an audience, even of one, is a kind of community. Story
and community have an even more direct relation. "[T]he story of my
life is always embedded in the story of those communities from which
I derive my identity."44
     In stories we learn how women and men have different
perspectives, different cultural experiences, different virtues and
sensibilities, and speak different voices. The storied phenomenologies
of our lived worlds are especially significant in the lives of women. In
stories we discover and revision lived worlds. In stories we defy
standard views, historical accounts, and social theories and embody
our personal subjective existence.
     Story can be no more a final answer, or the source of objective
truth, than any other means of locating ourselves in the world. All
stories are fictions, a form of truth, that can change and can be a
form of self-deception. A story is
no more authentic than I am now, and no less. If I am
neurotic, self-serving, or in a posture of bad faith, the story
I tell of myself will be the same and will tend to reinforce
me as I am. I need thus the critique of my story by my
neighbor, who may notice or remember what I am eager to
forget. But most of all I need a summons, which may come
through my neighbor, to responsible action in my
present-future. Only this will enable me more truly to get at
my story. As long as I evade the fullest ethical response to
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my present situation of which I am capable, as long as
I choose in society to look the other way, my story will not
come clean.  It will rationalize my avoidance.45
     To hear and see our lives is story we learn of life's complexity,
how lives fail and go astray, how promises are broken, and how
dreams are realized. Complexity does not lend itself to summary
statement or succinct descriptions and definitions, or to rules and
principles. The experience we have as women and men is derived
from a calculus of complex interacting life events--a calculus which
requires the nuance of story. When we find our own voice and a story
that expresses personal feeling and sentiment, we are ready to
imagine ourselves as mythic beings, and locate our place in the larger
scheme of things we call the universe. The telling, the writing, the
Charlie silence of stories reflect the breath and depth of our lives.

III.

     I write of disciplines, narrative, and story as prelude to what
could be a fundamental shift in the humanistic understanding and
expression of law, a form of legal studies that could be called
narrative jurisprudence.46 Narrative jurisprudence is another of the
diverse ways that the underground stream of values emerges in legal
discourse. It is another form of humanistic perspective.
Consequently, it is a response to what are now residues of postivism
and scientism in legal culture. Narrative jurisprudence emerges from
the antinomian stream of subjective human values to give law a
different meaning, to find in law a core that is not based on technical
rationality.
     Jurisprudence is generally viewed as a study of the philosophy of
law, of the nature, source, and limits of law within a society and
culture. Jurisprudence follows the dominant model of knowledge
prevalent throughout the university. In this model professional
knowledge is the application of scientific theory and technique to the
instrumental problems of practice. Jurisprudence labors doubly under

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the ethos and ethic of law and philosophy. Jurisprudence has been
sandwiched between the analytical positivism of philosophy and its
own form of positivism we call legalism. Law, as other disciplines,
was conceived as a science. Oliver Wendell Holmes made clear in the
earliest days of legal education that law too should ride the tiger
science.47  "An ideal system of law," Holmes argues, "should draw its
postulates and its legislative justification from science."48
      Jurisprudence has been in the same normative cage as the social
sciences. In the post World War II period there has been a rebellion
against the dominance of scientific methodologies in virtually every
discipline. And law has been no exception. There is now an emerging
awareness of the limits of technical rationality, an awareness that has
become the basis for a humanistic perspective in each of the social
sciences, and in law. Humanistic sociology, psychology, and
anthropology are recognized perspectives along with quantitative,
technical, functionalist, and behaviorist orientations which dominate
each of the social sciences.
     Narrative jurisprudence emerges from the crack in the facade of
positivist jurisprudence. Law may be the command of the sovereign
but it is both more and less than this formal, hierarchical, power,
rule-oriented concept as its variants would suggest. The new
narrativists are not the first to make the point. Legal positivists have
had their critics from the beginning.
     From an anthropological perspective, positivism has never been a
concept that would fully explain the idea and meaning of law. The
view of law gained from other cultures, especially those cultures we
call primitive, suggest that law is broader, deeper, and more diffuse
than Western jurisprudence has intimated. Anthroplogists who found
no courts, no judges, no lawyers, none of the actors we associate with
Western law, found law in the form of dispute resolution. Primitive
societies have disputes and they resolve them. Their disputes are not
so dissimiliar from our own. They involve property, accidents,
crimes, all of the basic problems created when we live in the world
with others.
     Until recently, the anthropology of law seemed to have little
direct relevance to an understanding of law in modern, technological
societies. There were exceptions. A few law teachers found the
anthropological work on law and dispute resolution in primitive
societies to offer a lens through which we could see through the
complexity and confusion, to the illusional and mythic aspects of our
own legal system. The fundamental insight of these legal

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anthropologists was that no amount of complexity, or formal
institutionalized structure eliminates the fundamental process of
dispute resolution that takes place in a culture. The study of dispute
resolution in primitive societies is in essence a study of the
fundamental processes that undergird our own legal system.
      Clifford Geertz, an anthropologist, in his Storrs Lectures at Yale,
reminds us that law, as religion, art, science, the state, and the
family is "in the process of learning to survive without the certitudes
that launched it."49 Law must now live without the certitude of
science. A discipline, a way of thinking, a language, a conversation, a
"culture of argument," a world of symbolic forms and gestures, are
now the ways that we use to describe law in this post-modern era.
Such ways of thinking and talking about law are fundamentally
different than those presented in traditional jurisprudence. They are
approaches to law, metaphors and images, that suggest that "legal
thought is constructive of social realities rather than merely
reflective of them" and that law is "a species of social imagi-
nation."50 Geertz makes a point that has been made often. Law "is
not a bounded set of norms, rules, principles, values, or whatever
from which jural responses to distilled events can drawn, but part of
distinctive manner of imagining the real."51
     Bob Cover echoes Geertz in pointing out that our contemporary
understanding of nomos and order is found in narrative and that the
shift in perspective is to view law as meaning rather than law as
power. The relationship of law to the meaning found in narrative is
made explicit by Cover.
No set of legal institutions or prescriptions exists apart from
the narratives that locate it and give it meaning. . . . Once
understood in the context of the narratives that give it
meaning, law becomes not merely a system of rules to be
observed, but a world in which we live.
In this normative world, law and narrative are inseparably
related. Every prescription is insistent in its demand to be
located in discourse--to be supplied with history and destiny,
beginning and end, explanation and purpose. And every
narrative is insistent in its demand for its prescriptive point,
its moral. History and literature cannot escape their
location in a normative universe, nor can prescriptions, even
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when embodied in a legal text, escape its origin and its end
in experience, in the narratives that are the trajectories
plotted upon material reality by our imaginations.52
     Legal practicalists and traditional jurisprudential scholars would
have us see law in a different light, as what lawyers and judges do, as
the written products of lawyers and judges, as the text that they work
from the constitution, statutes, and existing judicial opinions--and the
text they make. Geertz points out that the development of the
history, sociology, and philosophy of law cannot adopt
the sense of it held by its practitioners, caught up, as those
practitioners are, in the immediate necessities of craft. We
need, in the end, something rather more than local
knowledge. We need a way of turning its varieties into
commentaries one upon another, the one lightning what the
other darkens.53
     Geertz points the way to a view of law less as a distinctive
discourse that constitutes a methodology and language, but as a
"descriptive explication of imaginative forms," forms that are derived
from local knowledge, from what happens-'and its said, felt, thought,
and experienced when law in invoked, when disputes are settled.54
Geertz argues that law, then is a form of "local knowledge, local not
just as to place, time, class and variety of issue, but as to
accent-vernacular characterizations of what happens connected to
vernacular imaginings of what can. It is this complex of
characterizations and imaginings, stories about events cast in imagery
about principles, that I have been calling a legal sensibility."55

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     While Geertz is the formost figure in what is now called the
interpretative approach to anthropology,56 he joins others who have
long maintained the narrative tradition in anthroplogy. Gregory
Reck, an anthropologist, notes that:
Humans are story-creating and story-telling animals. We
live by stories, we remember by stories and we dream by
stories. In a very real sense we domesticate this wild world
of ours by narrative. It is little wonder that anthropology, as
the holistic study of the human animal, would find a place
for narrative within its disciplinary boundaries, even if it is
at the fringes.57
      Narrative anthropology "is simply story-telling. . . It is an at-
tempt to understand a story-telling animal by being a story-telling
animal.."58
     Reck argues that the discipline of anthropology is a narrative
enterprise because it is a written or oral presentation of what is seen
and heard in the course of fieldwork. While Reck is factually correct
he makes too much of the point. Outside of mathematics all of
science is expressed in language, in written reports. It is not such
written and oral presentations of human phenomena that can claim to
be narrative. Scientists may be story tellers, as some clearly are,59
but not story-tellers in the sense that Reck is suggesting. If that
were the case, all scientists would be enamoured with narrative.
While all anthropologists, like all scientists, are bound by their need
for language, language does not lead inevitably to narrative. What
then makes some users of anthropological language "narrative
anthropologists"?
     Anthropologists honor the narrative dimension of their enterprise
not by simply using language, but by a description and explanation
that is itself a story, a story of lived human experience. To make
meaningful the manifold states of human experience pushes the
anthropologist to ever more inventive and evocative uses of language,
ultimately to "ethnographic fiction" as well as simple stories of

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fieldwork and helpful informants.60 Historically, anthropologists
have written fictional as well as descriptive accounts of the cultural
phenomena they encounter. In fiction, human experience can be
presented in ways that is more meaningful to an outsider than
ethnographic reports rich in descriptive detail.
     Finally, narrative anthropology reflects and supports what has
been called reflexive anthropology. Reflexive anthropology focuses
on the effect of the story-teller on the story being told and the effect
of the telling on the anthropologist. Reflexive anthropology
incorporates the knowledge that the observer affects the behavior of
the observed. She sees herself as part of the inquiry, rather than as a
reporter of something seen or heard "out there." The reflexive
anthropologist integrates as "anthropological knowledge" what he
knows of himself. When narrative anthropology includes reflexive
anthropology it brings the story of the anthropologist into the 
narrative so that in doing anthropology there is a looking at self.
     Anthropology tells us something about culture, how culture
works, and what it means to have and be in a culture. James White,
one of the foremost exponents of law as narrative,61 argues that law
is constitutive of community and forms a particular kind of culture, a
"culture of argument." White sees law as that cultural commodity
from which we do our world making. Law, White contends,
is the constitution of a world by the distribution of authority
within it; it establishes the terms on which its actors may
talk in conflict or cooperation among themselves. The law
establishes roles and relations and voices, positions from
which and audiences to which one may speak, and it gives us
as speakers the materials and methods of a discourse. It is a
way of creating a rhetorical community over time."62
Law from this perspective
is best regarded not so much as a set of rules and doctrines
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or as a bureaucratic system or as an instrument for social
control but as a culture, for the most part a culture of
argument. It is a way of making a world with a life and a
value of its own. The conversation that it creates is at once
its method and its point, and its object is to give to the
world it creates the kind of intelligibility that results from
the simultaneous recognition of contrasting positions. This
recognition is necessary to the rational definition and pursuit
even of the most selfish ends. Without it, neither reason nor
ambition can have form or meaning.

The fact that the conversation of the law is largely
argumentative has important consequences of its own. Legal
argument exposes in clarified and self-conscious form--in
slow motion, as it were--the processes of agreement and
disagreement--of persuasion--by which this part of our
culture, and our culture more generally, are defined and
transformed. For in legal argument the state of the
discourse itself how we should think and talk is a constant
subject of conscious attention and debate. This means that
the contours of the culture are pushed to their limits and
marked with extraordinary distinctness. As the argument
proceeds, each speaker tests the limits of his language,
subjecting its every term and procedure to all the strain that
it can take--that we can take--in order to make things come
out his way. And since he must always operate within strict
limits imposed by time and the interests of his audience, he
is constantly forced to discriminate among the arguments he
might make, putting forward what seems best, holding back
what is weak or unimportant, and so on. As the materials of
the legal culture are tested in this manner, are put to
work--they are defined and reorganized in especially clear
and reliable ways. This makes it possible to think clearly
about their transformation.

Consider this point in the life of the modern lawyer. When
he writes a brief or makes an argument, in court or in a
negotiation, he offers us his best performance of the state of
his art, as does the lawyer who opposes him. Between them
they provide a momentary definition of the resources and
limits of their legal culture. When the lawyers have done all
they can and their capacities for argument are spent, we see
where we are in a new way, a way that the unused
materials of argument, lying about without order,
arrangement, or force--mere sets of cases, rules, and
commonp laces- would never allow. Each lawyer has made
every proposal for change he thinks possible and has had to
accept what he cannot change. In argument of this kind the
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speakers are forced to perform an allegiance to their com-
mon language to the ways of talking that make the dispute
intelligible and the community possible. One of the
functions of a culture of argument, the law among others, is
to provide a rhetorical coherence to public life by com-
pelling those who disagree about one thing to express
their actural or pretended agreement about everything
else. . . .

Legal argument by its nature contrasts one way of talking
with another, one version of a narrative with another, and in
this way gives its users (and their community) the benefits of
contrast and tension. The lawyer speaks from and to various
parts of the self, in various modes, and is always subject to
the double duty of making sense both in ordinary English and
in the specialized language of the law. It is in fact the
inconsistencies among the lawyer's ways of talking that
gives him the purchase necessary to propose, and to resist,
cbanges in his discourse."63


     Law forms a culture of argument from the conversations that
take place in the name of law. Law is a special kind of conversation,
a way of talking. For example, a judical opinion is not only an
exercise of power, but also "a continuing and collective process of
conversation and judgement."64 The legal case is a narrative in
which tensions and contradictions in our social life and culture are
explored.
     White addresses narrative as on-going conversation, in world
building, and a culture defining community. In The Legal Imagination
White envisions the lawyer as a storyteller, and in When Words Lose
Their Meaning he outlines the role that litigants play in the narrative
of law.
The fact that the case is always narrative means something
from the point of view of the litigant in particular. For him
the case is, at its heart, an occasion and a method in which
he can tell his story and have it heard. He has the right to a
jury, to insure that he heard. He has the right to a jury, to
insure that he will have an audience that will understand his
story and speak his language. The presence of a jury requires
that the entire story, on both sides, be told in ordinary
language and made intelligible to the ordinary person. This
is a promise to the citizen that the law will ultimately
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speak to him, and for him, in the language that he speaks,
not in a technical or special jargon.65
     Narrative, finally, places special demands on judges. If the law is
a conversational process, a narrative, then the judge
will have to speak in an extraordinarily rich and complex
way, not in a voice that is merely bureaucratic and official.
To be true to the actual difficulties of a real legal case, an
opinion must be full of the kind of life that comes from a set
of acknowledged tensions: between the two versions of the
story before the court: between the stories so told and the
language of legal conclusion; between the demand that like
cases be treated alike and the recognition that cases never
are 'alike'; between the fidelities owed to the past and the
future; between an awareness that the case is a particular
dispute between individual persons and a sense that it is
typical as well; and so on. . . . In the complexity and
formality of his speech, its metaphoric character and its
openness to uncertainty, in its tension between the general
and the particular, the judge must indeed be something of a
poet.66
     For White, a legal case "proceeds by a conversation in which each
speaker is invited to present an ideal version of himself, speaking to
an ideal audience."67 White sees law as constitutive of a community
in which the various constructions of language and reality are tested
against each other and in doing so give law its strength.68 It is in the
presentation of different stories within a culture of argument that law
makes room for different voices and gives a purchase by
which culture may be modified in response to the demands of
circumstance. It is a method at once for recognizing others,
for acknowledging ignorance, and for achieving cultural
change.69
White views the adversary process in a much more favorable light

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than many social critics.70 White cautions us that he has not set out
to describe the real world of lawyers and judges and that his emphasis
on the narrative dimensions of law is not a justification for the actual
operation of the legal system. White has presented a cultural critique
of the legal profession which confronts the legal community with the
highest ideal that we espouse. White's idealism presents law as
possibility, as a culture of promise. And so White's version of law is
idealistic and poetic; criticism as poetic reimagining.
     In the closing pages of When Words Lose Their Meaning White
summarizes his views and restates his case that law from his
perspective is better seen as one of the humanities than as a branch
of the social sciences. Law is itself "a method of learning and
teaching," in which we focus on "the kind of relations that we
establish with our inherited culture and with each other when we
speak its language." It is in the rhetoric community formed by
the speaking of this inherited language that we find the meaning of
law.
The law is a set of social and intellectual practices that have
their own reality, force, and signficance. It provides a place
that is at once part of the larger culture and apart from it, a
place in which we can think about a problematic story by
retelling it in various ways and can ask in a new and
self-conscious way what it is to mean. Law works by a
process of argument that places one version of events
against another and creates a tension between them (and
between the endings appropriate to each); in doing so it
makes our choice of language conscious rather than habitual
and creates a moment at which controlled change of
language and culture becomes possible. The rhetorical
structure of the law makes a place for each party and
defines a relation between them by establishing the ways
they may talk; in doing this it suggests a conception of
justice as equality, for a person may find himself in any of
these roles.71
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Our thinking about law is changing and requires a different
perspective. Geertz believes it will be a shift away from the
functionalist perspective in which law is imagined
as a clever device to keep people from tearing one another
limb from limb, advance the interests of the dominant
classes, defend the rights of the weak against the predations
of the strong, or render social life a bit more predictable at
its fuzzy edges (all of which it quite clearly is, to varying
extents at different times in different places); and a shift
toward hermeneutic thinking about it as a mode of giving
particular sense to particular things in particular places
(things that happen, things that fail to, things that might),
such that these noble, sinister, or merely expedient
appliances take particular form and have particular impact.
Meaning, in short, not machinery.72
Law, one discourse among many, must be reimagined in the context of
other discourses, if it is not to be cut off and isolated from the world
it seeks to govern. Geertz contends that law must be
rejoined to the other great cultural formations of human
life--morals, art, technology, science, religion, the division
of labor, history (categories themselves no more unitary, or
def inite, or universal than law is)--without either
disappearing into them or becoming a kind of servant adjunct
of their constructive power. For it, as for them, the
dispersions and discontinuities of modern life are the
realities that, if it is to retain its force, it must somehow
fathom.73
Whether it will do so is an open question

[155]

ENDNOTES

 


1. See e.g., Frances Ferrarotti, Biography and the Social
Sciences, 50 (1) Social Research 57-80 (Spring 1983); Hayden
White, The Question of Narrative in Comtemporary Historical
Theory, 23 (1) History and Theory 1-33 (1984); Daniel Bell, 
The Turn to Interpretation: An Introduction, 51 (2) Partisan 
Review 215(1984).

2. Walter Kaufmann, a philosopher who makes philosophy
accessible to those outside the hallowed halls of academic
philosophy, argues that
"those whose self-consciousness and sensitivity are most
fully developed are bound to be most deeply troubled by the
world, society, their fellow men, and their own
shortcomings. Where those who shut their eyes and lull
their minds to sleep, as well as those reduced to brutishness
in one way or another, find it possible to feel at home, the
autonomous spirit who insists on keeping his eyes open to
examine critically his own position and alternatives finds it
impossible to feel at home."
Walter Kaufmann, Without Guilt and Justice 147 (1973).

3. John William Miller, The Philosophy of History 14 
(1981).

4. James White notes that
"The region that can be ruled by the methods of logic and
science, and by the parts of the mind that function in
these ways, is after all, rather small; and, for good or ill,
much the larger part of human life must proceed without
the certainties these two forms of reasoning provide."
James Boyd White, When Words Lose Their Meaning:
Constitutions and Reconstitutions of Language, Character, 
and Community 22 (1984).

5. Bell, supra note 1.

6. Wendell Berry, Standing by Words 57 (1983).

7. Wendell Berry, Recollected Essays 1965-1980 159 
(1981) 

8. We think of science as providing explanations in terms of
"findings." Science depends upon verification, which means that
another good scientist must, using similar methods, be able to
"find" the same thing.
"The outer, enveloping circle is labeled objectivity. No
knowledge can claim to be scientific in any sense until
it enters this domain, which is to say, until it elicits
intersubjective agreement. . . . We move closer to the
heart of science, however, when we enter the second
circle, prediction. . . . A scientist who goes further and
takes command . . . throwing switches in the tracks on
which nature runs, so to speak, steps even closer to
science's center, into the circle marked control. . . .
The fourth guideline of science takes the form, not of
another circle that hugs a center even more tightly, but
of an arrow which, beginning at the outer rim, drives
straight to the center itself. The name of this final
guideline is number."
H. Smith, Forgotten Truth: The Primordial Tradition
(1976).

9. The disciplines are sufficiently busy maintaining their
boundaries from outsiders looking for a home, asylum, or a free
meal, that there is little time to prepare psychology as an
export. This means that when psychology arrives in a discipline
it comes in because someone brings it in. (Maybe you "catch"
psychology, or get "infected" by it and spread it around to your
colleagues like a disease.) The psychology that is imported is
psychology as studied by, read by, known by, believed in by, a
particular person. Psychology is not an integrated, autonomous,
body of knowledge that can be brought into another discipline as
a whole. There is no psychology to export and consequently 
none to import. "In psychology as in logic, there are truths, but no
truth." Albert Camus, The Myth of Sisyphus and Other Essays
15 (Vintage Books, 1952).

10. J. O'Neil, Making Sense Together: Introduction to 
Wild Sociology 10 (Harper Torchbook,1974)

11. Every dead body deserves a proper burial. When we 
bury the body, it does not mean that we are putting the "person"
away. Death does not end all. Memory insures that we cannot
rid ourselves of those we have loved or hated, totally and
completely. Likewise, there is little possibility that we will ever
be free of the teachings of our fathers in the disciplines.

12. A particularly striking example is Burton Bledstein's, The
Culture of Professionalism (Norton edition, 1976).

13. See H. Bloom, Anxiety of Influence: A Theory of 
Poetry (1973).

14. Some, if not all of our turning is not turning toward, but
just turning. Turning and turning. There is no time to settle
down. No time to look ahead. We loot and then abandon our
past, even as we rob ourselves of the future. What do we do
now? A small glance to the right, and then to the left. Move a
step forward. Then a few more. A turn to the right. A turn to
the left. We get dizzy from all the turning. Some have already
come full circle!

15. We seem to be waiting. For a new President.
Chair of the department or a new Dean. Waiting till the kids
grow up. Waiting until we get enough money to buy a new car,
take a vacation, do some work on the house. The question is:
What is worth waiting for? What kind of consciousness do we
have of our waiting.

16. "Quests sometimes fail, are frustrated, abandoned or
dissipated into distractions; and human lives may in all these
ways also fail. But the only criteria for success or failure in a
human life as a whole are the criteria of success or failure in a
narrated or to-be-narrated quest. . . . It is in the course of the
quest and only through encountering and coping with the various
particular harms, dangers, temptations and distractions which
provide any quest with its episodes and incidents that the goal of
the quest is finally to be understood. A quest is always an
education both as to the character of that which is sought and in
self-knowledge."
Alasdair MacIntyre, After Virtue 203, 204 (1981).

17. See David Spangler, Emergence: The Rebirth of the
Sacred (1984); Jacob Needleman, New Religions (1984); 
Steven Tipton, Getting Saved from the Sixties: Moral 
Meaning in Conversation & Cultural Change (1981).

18. 1 have argued elsewhere that the antinomian stream
described here found its way into the disciplines in the name of
the humanistic perspective. See Elkins, A Humanistic
Perspective in Legal Education, 62 Neb. L. Rev. 494 (1983). In
the 1950's humanistic psychology emerged as a "third force," a
counterpoise to behavioral and psychoanalytic perspectives. The
underground stream soon thereafter emerged in sociology and
anthropology, and finally in such far flung disciplines as
geography and traditional professions such as law and medicine.

19. Alvin Gouldner has called for a "reflexive sociology"
which would focus on the "doing of sociology." See Gouldner,
"Toward a Reflexive Sociology," in Humanistic Society 171-
181 (J. Glass & J. Staude eds., 1972). Gouldner suggests that 
one of the identifying characteristics of reflexive sociology is "the
relationship it establishes between being a sociologist and being a
person, between the role and the man [woman) performing it." 
Id. at 177. Gouldner's reflexive sociology calls for a sociology 
which looks closely at itself and those within the profession who 
"do" sociology. A reflexive sociology denies that the doing of
sociology is value free, for it can never be free of the person who
is the sociologists. For Gouldner's attack on the notion that
sociology can be value-free, see, Gouldner, "Anti-Minotaur: The
Myth of a Value-Free Sociology," in Sociology on Trial 35-52 
(M. Stein & A. Vidich eds. 1965).
     In sociology the interpretative perspective that I describe in
this essay is associated with Robert Bellah and his emphasis on
the moral meanings of action. See Bell, The Turn to Interpre-
tation: An Introduction, 51(2) Partisan Review 215, 218 
(1984).

20. "Moral discourse . . . has returned to the center of
disciplined philosophical inquiry." Daniel Bell, The Turn to
Interpretation: An Introduction, 51(2) Partisan Review 215-
219, at 216-217 (1984) (Bell remarks that "[t]he new moral 
discourse has given rise to fierce challenges to utilitarianism 
(with its implicit idea of the 'measurement' or 'optimality' of 
a greatest good, to be established by the felcific calculus)." 
Id. at 217.)

21. MacIntyre argues that
"the fact that the self has to find moral identity in and
through its membership in communities. . does not entail
that the self has to accept the moral limitations of the
particularity of those forms of community. Without those
moral particularities to begin from there would never be
anywhere to begin; but it is in moving forward from such
particularity that the search for the good, for the universal
consists."
MacIntyre, supra note 16, at 205.

22. On reading the stories told by Freud and Jung, see 
James Hillman, Healing Fiction (1983). See also, David James
Fisher, Reading Freud's Civilization and its Discontent, in
Modern European Intellectual History: Reappraisals & New
Perspective 251-279 (D. LaCapra & S. Kaplan eds. 1982); 
Perry Meisel, Freud's Reflexive Realism, 28 October 43 (Spring 
1984). Meisel points out that "Freud's narration and his patient's
memory may appear to be different, but their structures are
surely homologous if not finally identical in their interdependent
production one of the other.... Reflexive realism narrates itself
by narrating something else like it. . . ." Id. at 46.)

23. For an example of the new scholarship using stories, see
John Kotre, Outliving the Self: Generativity and the
Interpretation of Lives (1984).

24. See, e.g., Richard Ellmann, Freud and Literary Biography,
53 American Scholar 465 (Autumn 1984). For an example of a
partial biography that reflects a neo-Freudian (i.e. Lacanian)
sophistication, see Stuart Schneiderman, Jacques Lacan: The
Death of an Intellectual Hero (1983).

25. James Hillman argues that psychology should return to
pathologizing, its central task. "Fundamental to depth
psychology and to the soul is hurt, affliction, disorder, pecularity.
. . ." James Hillman, "On the Necessity of Abnormal Psychology:
Ananke and Athene," in Facing the Gods 1-38, at 1 (J. Hillman
ed. 1980). The symptom is the starting point in modern depth
psychology. It is the beginning of the journey into the labryinth
of the soul.
     "[A] symptom not only expresses an underlying psychic
process but also may represent a positive attempt by the
unconscious to force the individual into a process of
consciousness, the aim of which is a progressive
realization of the Self."
Russell A. Lockhart, Words as Eggs: Psyche In Language and
Culture 31 (1983). Lockhart goes on to suggest that:
"To deprive an individual of his symptoms may be clothed
in humanitarianism, but it may also deprive him of an
opportunity to learn the meaning of his own life. It may,
in fact, deprive him of the opportunity and will toward
individuation."

26. "[W]e seem to have an insatiable need to talk about what it
means to die and to confront the medical discourse on death with
ourselves as experiencing persons. The need is not restricted to
the problem of dying. Almost everywhere the experiencing
person is vigorously challenging the medical discourse which
subtracts him from his body."
William Ray Arney and Bernard J. Bergen, Medicine and the
Management of Living: Taming the Last Great Beast 41 (1984).

27. "[M]odern medicine identified itself with a discourse about
life and death whose power lay not in conducting a dialogue with
another, but in the capacity to speak to another who must listen
silently if he wants to bear the truth spoken."
Id. at 26.

28. See, e.g., W. Runyan, Life Histories and Psychobiography
(1984); Peter Lowewenberg, Decoding the Past: The
Psychohistorical Approach (1985).

29. A field not without its critics. See e.g., David Stannard,
Shrinking History: On Freud and the Failure of Psychohistory
(1980).

30. Gray, Autobiography Now, 4(l) Kenyon Review 31, 51
(Winter 1982).

31. Id. at 33. See Albert E. Stone, Autobiographical
Occasions and Original Acts: Versions of American Identity 
from Henry Adams to Nate Shaw (1982).

32. The diving through is a part of everyday life. Rockwell
Gray points out that there is an impulse or gesture toward
autobiography in everyday life. "[T]o amble again through the
streets of childhood, to pore over family albums or archives, or
to collect books as mementos of earlier interests and intentions. .
." are in their own way autobiographical. Id. at 36. In ordinary
speech and conversation we play out the impulse toward
self-narration.
     Conversations are central to story telling, to having a story.
     "Indeed a conversation is a dramatic work, even if a very
short one, in which the participants are not only. the
actors, but also the joint authors, working out in
agreement or disagreement the mode of their production."
A. MacIntyre, After Virtue 196 (1981). Conversations are
structured like other narratives, with beginnings, middles, and
ends, and are in a sense, literary works.
"They embody reversals and recognitions; they move towards
and away from climaxes. There may within a longer
conversation be digressions and subplots, indeed
digressions within digressions and subplots within subplots."
Id.
     Richard Rorty has suggested that philosophy be viewed as a
conversation. See R. Rorty, Philosophy and the Mirror of Nature
170, 371-72, 389-394(1979).
     "To see keeping a conversation going as a sufficient aim of
philosophy, to see wisdom as consisting in the ability to
sustain a conversation, is to see human beings as
generators of new descriptions rather than beings one
hopes to be able to describe accurately."
Id. at 378. Conversation is "the ultimate context within
which knowledge is to be understood." Id. at 389.

33. "Opportunities for self-deception are never far away from
any of us." Owen Barfield, History, Guilt, and Habit 56 (1979).
On the problem of self-deception, see Postema, "Self-Image,
Integrity, and Professional Responsibility," in The Good
Lawyer 286-314, at 300 (D. Luban ed. 1983); Stanley
Hauerwas, Truthfulness and Tragedy 82-98 (1977).

34. Higgins, "Within and Without Stories," in Religion a
Story 1, 31-32 (J. Wiggins ed. 1975).

35. Id. at 27.

36. Id. at 26-27.

37. Id. at 27.

38. Id. at 29.

39. "Without stories, as everyone knows, time would be
monotonous. We tell stories not only to while away the time but
also to shape it, render it meaningful, make it our own. Conrad's
Heart of Darkness begins with men on a ship in calm water asking
for a story to pass the time. Marlowe's tale is a cyclone upon
that calm water. By its end, we have been taken not only into
the heart of Africa but also to the eye of a dreadful story. We
may be horrified by the destruction of Kurtz, the leading
character, but at least something has happened. The story has
told time."
Tom Driver, Patterns of Grace: Human Experience as Word of
God 132-133 (1977).

40. Stories in some ways are beyond meaning. "We narrate
stories in order to make manifest whatever unsayable meaning
resides in them." David Luban, Explaining Dark Times: Hannah
Arendt's Theory of Theory, 500) Social Research 215, 242 
(Spring 1983). Hayden White has made a similar point in 
suggesting that narrative is a way of expressing an "excess of 
meaning." White, supra note 1, at 29.

41. William James O'Brien, Stories to the Dark: Explorations
in Religious Imagination 3 (1977).

42. O'Brien suggests that "The . . . inner drama is begun when
dark, turbulent feelings threaten to engulf a person. The
conscious self, the daytime self, ordinarily has no interest in
exploring the dark; it is only when egoconsciousness feels itself
about to be engulfed that it acts." Id. at 41.

43. "Myth can be understood as a story 
or series of images describing man's contact with
the world of spiritual realities which interact with the
physical world and give it form. Man's life is the main stage
(although not the only one) on which spirit and matter touch
each other. Because this contact can only be described
mythologically, man's myths are usually relevant to the
physical world as well as to the spiritual realm...."
Morton Kelsey, Myth, History and Faith 4 (1974).

44. A. Maclntyre, After Virtue 205 (1981).

45. Driver, supra note 39, at 136-137.

46. I included within the ambit of narrative jurisprudence what
is described as "the interpretative turn" in literary and
humanistic studies.  See e.g., Daniel Bell, The Turn to 
Interpretation:  An Introduction, 51(2) Partisan Review
215-219 (1984); Sanford Levinson, On Dworkin, Kennedy, and
Ely:  Decoding the Legal Past, 51(2) Partisan Review 248-264
(1984) (Levinson chronicles the "renewed appreciation of the
centrality of hermeneutic concerns" and the "interpretative turn"
in legal studies.  Id. at 249.)

47. See Elkins, Moral Discourse and Legalism in Legal
Education, 32 J. Leg. Educ. 11, 31-35 (1982).

48. The Occasional Speeches of Justice Oliver Wendell
Holmes 85 (Mark DeWolfe Howe ed. 1962).

49. Clifford Geertz, Local Knowledge: Further Essays in
Interpretive Anthropology 217 (1983).

50. Id. at 232.

51. Id. at 173.

52. Cover, Nomos and Narrative, 97 Harv. L. Rev. 4, 4-5
(1983).

53. Geertz, supra note 49, at 233.

54. Id. at 234.

55. Id. at 215.

56. "In anthropology, the theme of interpretation is associated
most directly with Clifford Geertz, in his emphasis on the
'symbolic' level of discourse rather than social-structural
relations, on what he has called. . .'thick description' in order to
understand the complexity and texture of a culture, and the
emphasis on particularity or 'local knowledge.'"
Bell, supra note 1, at 218.

57. Reck, Narrative Anthropology, 8(l) Anthropology and
Humanism Quart. 8-12, at 8 (1983).

58. Id. other anthropologists have sugggested that when their
craft involves a special love of words the anthropologist
becomes a "word-shaman." Richardson, The Anthropologist as
Word-Shaman, 5(4) Anthropology and Humanism Quart. 2
(1980).

59. See, e.g., Loren Eiseley, The Night Country (1971); All
the Strange Hours (1983).

60. See, e.g., Elenore Smith Bowen, Return to Laughter: An
Anthropological Novel (Natural History Library edition, 1964).-

61. See James B. White, The Legal Imagination (1973); 
White, The Fourth Amendment as a Way of Talking About 
People, 1974 Sup. Ct. Rev. 165 (1974); White, Making Sense 
of the Criminal Law, 50 U. Colo. L. Rev. 1 (1978); White, 
The Ethics of Argument: Plato's ' Gorgias and the Modern 
Lawyer, 50 U. Chi. L. Rev. 849 (1983); White, When Words 
Lose Their Meaning, supra note 4, at 266.

62. When Words Lose Their Meaning, supra note 4, at 266.

63. Id. at 267-68

64. Id. at 264.

65. Id. at 265.

66. Id. at 269.

67. Id. at 274.

68. Id. at 273.

69. "For the litigant, the lawyer, and the observer alike, the
central ethical and social meaning of the practice of the
adversary hearing is its perpetual lesson that there is always
another side to the story, that yours is not the only point of
view. For the actors as for the judges, the juxtaposition of the
two incompatible stories makes us ask in what language the story
should be told again and a judgment reached...."
Id. at 266.

70. See White, The Ethics of Argument: Plato's Gorgias and
the Modern Lawyer, supra note 61.

71. Id. at 273. Robert Cover has recently presented a
similar view of the law as narrative but places less emphasis on
language and more on the nomos or normative world created by
legal discourse.
     "We inhabit a nomos-a normative universe. Vie constantly
create and maintain a world of right and wrong, of lawful
and unlawful, of valid and void.

* * * * 

     A legal tradition is hence part and parcel of a complex
normative world. The tradition includes not only a corpus
juris, but also a language and a mythos--narratives in
which the corpus juris is located by whose
wills act upon it. These myths establish the paradigms for
behavior. They build relations between the normative and the
material universe, between the constraints of reality and the
demands of an ethic. These myths establish a repertoire of
moves--a lexicon of normative action--that may be combined
into meaningful patterns culled from the meaningful patterns of
the past. The normative meaning that has inhered in the patterns
of the past will be found in the history of ordinary legal doctrine
at work in munclane affairs; in utopian and messianic yearnings,
imaginary shapes given to a less resistant reality; in apologies for
power and privilege and in the critiques that may be leveled at
the jusificatory enterprises of law.

* * * * * 

     The codes that relate our normative system to our social
constructions of reality and to our visions of what the world
might be are narrative. The very imposition of a normative force
upon a state of affairs, real or imagined, is the act of creating
narrative. The various genres of narrative--history, fiction,
tragedy, comedy are alike in their being the account of states of
affairs affected by a normative force field. To live in a legal
world requires that one know not only the precepts, but also their
connections to possible and plausible states of affairs. . . .
Narratives are models through which we study and experience
transformations that result when a given simplified state of
affairs is made to pass through the force field of a similarly,
simplified set of norms."
Cover, supra note 52, at 4, 9, 10.

72. Geertz, supra note 49, at 232.

73. Id. at 219.