The University of Texas at Austin

Law in Popular Culture collection

The Legal Studies Forum
Volume 30, Number 1/2 (2006)
reprinted by permission Legal Studies Forum

Lawyers & Poets
Walk This Lonesome

PETER BAROTH
________________________

Road and Station

All the people walking by
and all the planes up in the sky
and all the evenings,
the yearning, yawning evenings.
Once I approached the lights of Allentown
and I wondered then
if the sound of rubber on the road
is the closest that I - ll ever come to home.
A few days later it - s the Jersey night parading by
in all its finery
as the millions go about their business,
tread their unique paths through life,
lonely paths,
lonely, lovely, thirsting paths,
as they end up at home,
sometimes alone.
And I - m trying to do something.
I am a wandering bum
dressed up in a tie and jacket.
I am a lunatic with a regular job,
a deviant with a good psychiatrist.
An Ancient living like a Modern.
Someday I too, may wander the Newark train station
waiting for my ship to come in.
I am somebody - s son
who flirts with failure
like a childhood game of peek a boo.
Peek a boo and I - m gone -
onto the train or into the car.
Away.

[455]


Budapest Woman

In the long afternoon of Central Europe
a woman walks a city block.
Weary and beautiful
in slinky thin garments.
Belly button pierced.
Hints of sexual underground
licking upwards into
the passage of everyday life.
Long angular aerodynamic legs.
Brown eyes.
Her hair a dirty blond verging on chestnut
with flecks of orange interspersed.
She slowly ambles past the sooty buildings.
The looming monoliths which have withstood
war and revolution,
along avenues brimming with a history of elegant aristocrats
plotting in stately hotels,
vindictive proletarians fresh from foreign capitals
plotting on street corners,
and the bourgeoisie,
ever the bourgeoisie,
but faded now.
Muted like the colors of a gray urban autumn.
A world of civil servants, lawyers, and doctors
fallen through  the play of extremes
in a country where it seems
the center cannot hold.
Through all of this the woman moves on.
Into the evening,
a restaurant,
and the firelight.
Cozy pocket of a continent.
Lonely lovely capital.
Lonely lovely woman.
Will she fulfill her desires tonight?
Darkness falls.
The city eases forward into uncertainty.
Bodies scramble on a televised soccer game.
Couples come to a dimly lit bar.
Drab, solitary days.
Love and the daily struggle

[456]


in a tucked away European corner.
The romance of the coming twilight
at the end of the long afternoon.

[457]


Lists

What was her name?
I - m trying to remember
but it - s lost,
lost in the haze of summer,
in the craze of adolescence.
I remember the Holiday Inn pool
back in Oklahoma
and a friend working at the motel
as a bellboy
and how I used to sneak in,
leaving my bike at the gate,
and my friend - s smirk
under a rakish Okie moustache.
And this girl and I were making out
in the pool
and her fingernails flared a bright orange
as my hand fell under her bathing suit.
And then we had submarine sandwiches
somewhere around campus
and another friend was there
with his girlfriend.
But her name,
the name of my girl,
has been gone for decades.
Oklahoma City, Albuquerque, Phoenix, Barstow
I remember her laugh.
St. Louis, Philadelphia
Where she was from
Chicago, New York
where she was headed
Heidelberg, Budapest
I have no idea.
I have no recollection of how old she was
or I was
or where she went to school.
But she was there,
laughing in a summer afternoon,
and she is part of my history,
and I hers.
Lazy, hazy, crazy.
Larry, Curly, Moe.

[458]


John, Paul, George, Ringo.
Marx, Engels.
Einstein, Freud, Jesus.
People who come and go.
Who have come and gone,
and this memory that sticks,
that dwells in the back corridors of my mind
of a sunny day
and an intimate stranger.
It - s all right, it - s all right
Jesus,
I know it hurts.
I know it man.
The time for glory may be gone.
And I don - t even have a name.
I don - t even have a name.

[459]


Three Minute Dream

St. Louis with lambent halo.
Schism of a river and a
Scott Joplin rag at midnight.
The aftermath of a lonely, drug addled moan
across disordered and neglected Midwestern rooms.
Across the darkness of continents,
centuries, bad evenings, twilights, 
Cubist constructs, bold and savage.
A conquest by Barbarians?
I - ve been there before.
Facing the death of the soul
at technology - s bootheel;
the metallic feeling on my neck.
So heal me now, saints and martyrs,
through the dark dew.
Show me the way past anger
to the peace at the end of the corridor.
To the light at tunnel - s terminus.
To that final coming to terms with
one - s fate, one - s mission, one - s purpose.
Drunk, I tripped through the tavern in its shimmering light.
Then hit the nighttime volleyball circuit
with Chuck Speedy and the boys.
A finger broken by the serve of a Pocono biker,
years after being taken down by the cops in my front yard.
Bright angels do hide in the cover of a dark history - sometimes.
Once I thought about the possibility of living on another planet.
Mars, Venus, the nearest one available,
for haven - t we failed the Earth?
Other times thinking of a vegetarian regimen,
of going organic,
in a country running scared -
of the world, of itself, of the blue notes of its geniuses.
Through the mists we must still grow.
Breathing, injured, alive.

[460]

 
Poem For Dean Paul Martin

I swear, brother,
this isn - t going to be about
saying goodbye at 35,
or leaving Dad - s head hanging,
or leaving a generation to curl up with
Reagan and reaction.
No, this is going to be about fast cars,
faster planes,
and fastest of all, the women rolling out of bed
at 4:00 a.m. for their modeling jobs,
leaving a twisting trail of negligee behind
on gilt edged Beverly Hills bathroom floors.
Consider it a fan letter of sorts,
destined for the seventh heaven
on whose winged beachhead you must now lie.
This is going to be about flying out of Oklahoma City
in your own turbo prop,
interior design by my father
with his Bauhaus touch
spiced with Southwestern sepias and sunset oranges.
Oil bid - ness blues and grays.
Did you ever stop to take it all in?
And where were you headed?
There is no itinerary for me to peruse.
Only a black and white glossy
which hangs on my wall,
filigreed with a starry star - s smile.
A Buddha - s grin which speaks volumes
without saying a word.
So where was it to next, Captain?
Vegas, Miami, L.A.?

They say you were nice.
A bit of a tennis bum.
Good behind the wheel.
So what sort of Valhalla are you lying in?
Surrounded by what sort of sad beautiful
tangle of wasted angelic starlets
dead too young of anorexia or heroin o.d.?
Is James Dean anywhere to be found?
I - m missing your advice

[461]


along with Coburn - s and McQueen - s.
I wonder what your school of cool might have to say
about me.
I read the classics, once.
I like jazz.
But I - m down here in a world on fire.
Send the hook and ladder.
Brother.

[462]


Thinking About James

The temperature would fall
about a hundred degrees
when he entered the room.
He was down with it.
You could almost hear the jazz chords
being strummed as he walked on in
like the groovemasters before him
from the beginning of the Civil Rights movement
to the present day.
He was free - liberated.
He was like you and me would be
after another ten years of evolution.
The women loved him.
The men admired him.
He was out against it:
the war, oppression.
He was for it:
women - s rights, affirmative action.
He took a cocktail in his hands -
a gin fizz for digestion.
The music would start again for real.
I think it was "Funky Broadway" by Dyke and the Blazers.
An oldie too hot for the oldies stations to play.
He entered the room and the party would never
be the same.
He would take a sip from his glass
and lay an incantation of a poem -
a remembrance of Hughes, Baldwin, Robeson.
The women relaxed,
the men would steel themselves
for the night to come,
and I would be relieved that this new world
would be safe for another day.

[463]

 
A Pause Between Movements

These were no longer the good years
but the good years still cast their shadow.
Al Hirt had passed away.
Hemingway.
Yet women in the afternoon,
good looking women,
yearning,
still reached out for something.
Prosperity was still just around the corner.
Some of the old heroes were still celebrated,
though they may have been past their peak;
warbling away in echo chambers of fame.
You could still squeeze your toes in the sand
along the shore
and look for shells and sea glass.
And you could look out at the breaking water
and see where the surfers still dwelt.
But was the next new idea
going to be microelectronic or biochemical?
Would it have to do with God
or the way some new generation of California kids
moved on their skateboards?
Sundays were still easy
but around 3 pm there might come a slight twinge.
A prick inflicted by a Baghdad thief.
The poverty of Camden, West Virginia, Gaza
rustled and coiled like a snake poised in the darkness.
People still went about their daily routines,
but their days might now end with a psychiatrist's visit.
There was anxiety.
There were all the old questions
which sent some people to libraries,
some to clergymen,
some to bars or bards,
some to pill bottles.
Making a stand,
a person so often faced such vitriolic slings and arrows,
that dialogue was threatened.
Bluster was beginning to seize the race from democracy.
Around the world,
the dispossessed were striking, excoriating.

[464]


and the schoolgirls of Philadelphia
who may have once had their silver haired senators to embrace,
now embraced the wind along the Delaware.
Danced with it
in broken pas de deux.
For in time,
the silver haired senators had become dirty old men.

[465]


Peter Baroth was born in Chicago in 1963 and currently resides in Media, Pennsylvania. He is a 1985 graduate of Washington University in St. Louis and obtained his J.D. from Temple University Law School in 1990. Baroth's legal practice is in immigration counseling. Baroth's published poetry includes three chapbooks, Mounds of Sounds, Sessions, and Ski Oklahoma published by Wordrunner Chapbooks. He is also the author of a novel, Long Green (iUniverse, 2003).
Peter Baroth: "Poem for Dean Paul Martin" and "Lists" were previously published online at museumofpoetry.com. "Three Minute Dream" previously appeared in Schuylkill Valley Journal of the Arts; "Thinking About James" was previously published in Philadelphia Poets.