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reprinted by permission Legal Studies Forum MICHAEL MARTONE *
While grading papers, Hank Lazer hides out
from distraction, he thinks, in the library's government documents and
legal reference room. The strategy doesn't quite work, and he finds himself
willingly distracted by the volumes of the Alabama Legal Code shelved in
the cases around him. Killing time, so to speak, he makes a killing, again
so to speak, with what he discovers in the tomes. This is a happy accident,
and one he marks as the genesis of the "Law Poems." In my own case in my
own past, I had the same desire to find a similar deserted retreat to attend
to my own set of onerous papers. The same impulse, however, happened to
lead me to a different library. The library surrounding me was a medical
one, the shelves filled with human anatomies, epidemical case studies,
pharmacological indices, manuals for surgery, and diagnostic flow charts.
Every text, it seemed, was layered with those transparent pages that allowed
you to strip away the skin, the blood vessels, the muscle, the organs,
down to the final cross section of bone.
[49] that somehow chimes, rhymes with the body's own wiring, but also, in
its abundance, overwhelms the perception. That is to say that the language's
power (a power that in my case is able to actually collapse me, move me
so involuntarily) has already been inscribed, embedded, encoded in my own
make-up. You can't make this up. It is already in there.
The longest of the cranial nerves, passing through the neck and thorax into the abdomen and supplying sensation to part of the ear, the tongue, the larynx, and the pharynx, motor impulses to the vocal cords, and motor and secretory impulses to the abdominal and thoracic viscera. Also called pneumogastric nerve. The wandering nerve from Latin.Typing that nearly put me under the table. But note, this nerve (the nerve my doctor called, when I asked her about it, a very interesting piece of linguine) is, well, intimately wired not only to the gut but also to the seats of, well, language itself-the tongue, the ear, the vocal chords. What is set up for me is this feedback loop, this reverb. Hearing the words, saying the words concerned with this very apparatus of hearing and saying and feeling literally connects to the organic apparatus of hearing and saying and feeling. Even when we read silently our vocal cords form the architecture of sounding the words. A sentence such as "I scraped the fat, black scabs" (taken from a Dr. Richard Selzer essay, "Four Views of the Discus Thrower") invokes in its assonance the repetition of hard Aaahs, the gag provoked by looking down the throat. The gag in the sentence produces a gag reflex in us. It reinforces the meaning of the words with the coding meant to stimulate the vagus. Read it and it will make you sick. A neat trick. But not so simply just a trick because it speaks to the way the human body is tricked out. These fiduciary languages, these secret codes of medicine and law, stumbled upon in deserted reading rooms reek of a power only grasped, for the uninitiated, in the periphery, the underlying neural nets. There is something in there, something other than what it seems to say. For me it is this maintenance of the illusion of precision, this apparent stripping away of emotion from language. It is the use of these ostensibly "dead" languages to fix meaning for all time, a fool's errand. But this language is dead and it's not dead. Its genetic coding still viable and teeming inside the husks the boilerplate hides. Hides indeed. |
